|
|
Nicholas Hilliard
1547-1619
British
Nicholas Hilliard Galleries
Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays. Related Paintings of Nicholas Hilliard :. | Portrat des George Clifford, Earl of Cumberland | Leaning younger in rose bush | Elizabeth I, the | Elizabeth, Queen of Bohemia, daughter of James I | Miniature of d'Alencon | Related Artists: Pine, Robert EdgeAmerican, 1720-88
English painter, active also in America. His father, John Pine (1691-1756), was a well-known engraver and printseller of whom William Hogarth painted a portrait (c. 1755; Fredericton, NB, Beaverbrook A.G.). Robert Edge Pine was initially considered to have the potential to rival Joshua Reynolds as a portrait painter, a promise derived from such works as the full-length portrait of George II (1759; Audley End, Essex), painted without a sitting being granted him by the King. In 1760 he won a premium at the Society of Arts, London, for a history painting, the Surrender of Calais to Edward III, also known as the Burghers of Calais (untraced), which was engraved in 1762 by Fran?ois Germain Aliamet (1734-88), and another in 1763 for Canute the Great Reproving his Courtiers for their Impious Flattery (untraced), also engraved by Aliamet. Pine was not invited to become a founder-member of the Royal Academy in 1768, probably because of his radical politics; that year he painted a portrait of the political agitator John Wilkes (London, Westminster Hall). In 1772 he left the Society of Arts following a quarrel over its choice of directors; he moved to Bath, where he joined his brother, Simon Pine (d Aug 1772), a painter of miniatures. Their sister was married to the landscape painter Alexander Cozens. While at Bath Pine painted his most ambitious family group, Mulready, WilliamIrish Romantic Painter, 1786-1863 POELENBURGH, Cornelis vanDutch Baroque Era Painter, ca.1586-1667
|
|
|
|
|
|
|
|